Sunday, February 28, 2010
Friday, February 26, 2010
Two New Pieces
The Grand Canal in Venice, by Mary Stebbins Taitt. Original gifted to ES, as part of the gouache European Series.
And here's my collaboration with Steve Loya in Hennie's Mole. I am calling it: Diaphony, Dancers with Scarves.
Click images to view larger.
Wednesday, February 24, 2010
New Mole Sketch: Nora's Entry
Nora's Entry, by Mary Stebbins Taitt. pigment markers. ~ 8 x 10. Click image to view larger.
Friday, February 19, 2010
At the Cusp between Hope and Hopelessness
At the Cusp between Hope and Hopelessness, by Mary Stebbins Taitt, digital composit. Click image to view larger.
Wednesday, February 17, 2010
Piran Alley revisited
This is a digital manipulation of a painting I just finished today. The painting is gouache on yellow paper. It's from a photo I took in Piran, Slovenia, on our honeymoon. I manipulated it digitally primarily because I can't help myself. I like to play. You can see the original unmanipulated painting here. Click this image to view it larger.
The first time I visited Slovenia with the Vermont College Writing Program, there were red geraniums everywhere--I don't know if there was some geranium festival going on or what, but I was disappointed when we went back there there were miscellaneous flowers, so when I painted the picture, I put the red geraniums back where they had been, more or less.
Saturday, February 06, 2010
Tuesday, February 02, 2010
Friday, January 29, 2010
BB in pigment markers
I got new pigment markers for Christmas and have been experimenting with them. They are different than dye markers.
Tuesday, January 26, 2010
Hennie's Fractal
made for Aya, though I started from scratch, but the colors are chose
for Hennie. I guess I was thinking of her red hair, freckles and
peachy skin. And colors that would go well with that combination.
This is for the collection I've started for Hennies pocket.
Saturday, January 16, 2010
Biker Buddy, Resting
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